Lennon's dark fate is
entrapment by a woman who stalks him for months,
desperate to exploit his celebrity and his millions.
Yoko Ono is a she-wolf dressed in black and
such a core of negativity that
she sucked the air out of the room.
LENNON'S DARK FATE ONO
Ono is also credited with destroying Lennon's will,
banning his lifelong friends and
getting him hooked on heroin.
The Beatles, from lads to legends to victims of success
Magical Mystery Tours: My Life With The Beatles
By Tony Bramwell with Rosemary Kingsland
St. Martin's Press, 440 pages, $35.95
book review by Peter Feniak:
1968. John Lennon, recently inspired by LSD, calls an emergency meeting of the Beatles at their Apple headquarters in London. "I've got something very important to tell you," Lennon says. "I am Jesus Christ. I have come back again. This is my thing." "Right," responds Ringo Starr, well-used to the eccentricities of this brilliant Beatle. "Meeting adjourned. Let's go have some lunch." At the restaurant, Lennon, unbowed, is approached by a fan eager to meet John. "Actually, I'm Jesus Christ," he insists. "Well," replies the fan, "I still liked your last record."
Tony Bramwell, long-time associate of the "four lads who shook the world," brings a wealth of such anecdote to Magical Mystery Tours, a sprawling, amiable account of life near the world's most famous and most gifted pop group. Bramwell also reminds us that the real Beatles story is far more interesting than the cloying myth of "four lovable moptops" that still clings to them today.
The Liverpool that made them was a tough seaside town, postwar bleak, largely Irish-Catholic (like Lennon and McCartney), where outdoor toilets were still common, a telephone a rare luxury and television was BBC from 6 each evening until signoff at 9, when primitive sets threatened to overheat. "Britain was severely monotone," Bramwell writes. "English movies were austere kitchen-sink dramas. Clothes were drab. You weren't supposed to enjoy yourself." Something irrepressible would change that. Liverpool was also music-mad. The Silver Beetles (named in homage to Buddy Holly's Crickets) were a top local "beat group" when they left for a lengthy residency in the seedy clubs of Hamburg. When they returned as the Beatles, bonded by months of squalid living, easy sex and nightlong amphetamine-driven performances, no one could top them -- anywhere.
Bramwell's story begins on Liverpool's Number 81 double-decker bus as he finds childhood friend George Harrison is part of the "direct from Hamburg" group playing that night. Carrying George's guitar into the hall for free admission, Bramwell is hooked on the hard-driving, good-humoured and charismatic group. "In a year, I went to about 300 Beatles gigs, from one end of the Mersey to another," he writes. "I never stopped." As Bramwell moves from roadie to aide for Beatles manager Brian Epstein, Magical Mystery Tours follows the group's dizzying climb to world pop domination, then witnesses its ultimate crash at Apple Corp. -- the chaotic money pit the Beatles created to run their business following Epstein's untimely death.
Though initially "George's mate," Bramwell tells us more about Lennon and McCartney, with whom he often shares a pint and thoughts of home. Harrison retreats under the barrage of unprecedented fame to become a rural recluse, floating into Eastern music and mysticism. Ringo Starr, older and more fun-loving, enters the champagne life of movie stars and posh clubs. Lennon and McCartney walk different paths. Both are driven, incredibly gifted and haunted by their mothers' deaths. McCartney's beloved "Mother Mary" died of breast cancer when Paul was 14. Lennon, abandoned by both parents and raised strictly by "Aunt Mimi," ultimately discovers his mother, Julia, remarried and living nearby. "No sooner was John getting to know his mother" Bramwell writes, "when, in the summer of 1958, she was run over and killed yards away from Mimi's house by a speeding policeman who was late for work." For weeks after, friends recall seeing the brash rocker alone with a "thousand-yard stare."
Tony Bramwell seems to enjoy Swinging Sixties London more than his famous bosses, who can hardly move without pursuit by their "army of besotted fans." But he also bears witness to the "powerful . . . anger, hate and jealousy . . . that surged around them" as their bond cracks under the strain. Ultimately, McCartney flees London with poised hippy socialite Linda Eastman for a simpler life in Scotland.
Lennon's dark fate, in Bramwell's view, is entrapment by a woman who stalks him for months, desperate to exploit his celebrity and his millions. Yoko Ono finds little favour in Magical Mystery Tours -- described as "a she-wolf dressed in black," "a pain in the ass" and "such a core of negativity that she sucked the air out of the room." Ono is also credited with destroying Lennon's will, banning his lifelong friends and getting him hooked on heroin.
The portrait of Brian Epstein, the posh Liverpudlian who takes on the Beatles' career as manager and succeeds in historic dimension, is poignant. As the group becomes England's top attraction, then the world's, the gentle Epstein lives in torment, devoured by self-doubt, paranoia, amphetamine addiction and the anguish of homosexuality at a time when discovery still means jail. There is plenty of colour in Bramwell's tales of the post-Epstein Apple Corp., where frauds like Magic Alex squander thousands of Beatle pounds on whims, and where Yoko Ono daily takes delivery of beluga caviar from Harrod's.
Magical Mystery Tours also points out the sad reality that the Beatles were robbed blind. Neither Epstein nor the group understood the value of publishing, and sold the rights to their early songs for next to nothing. They also kept only a small fraction of their merchandising rights, enriching faceless businesses to the tune of £100-million.
"Looking back," Bramwell writes, "the Beatles triggered a massive social and sexual revolution." That revolution is better dealt with elsewhere. So is the Beatles' music, though Bramwell's memories of riding in the van between gigs as John and Paul jotted down million-selling song ideas ("It came easily to them") or practised the harmonies in She Loves You have their charm.
Ultimately, though, this is an unpretentious, homespun look back and a welcome addition to Beatles lore. They were kids when they began. They lived with remarkable intensity for a time. "It seemed that one minute I was young," Bramwell recalls wistfully, "the next, we were confronting our mortality.
http://www.theglobeandmail.com/servlet/ArticleNews/TPStory/LAC/20050521/BKBEAT21/TPEntertainment/Books
Reader describes how Yoko got John back from May Pang
Reader likes the new "Imagine" lyrics but says Paul wasn't in cahoots with Yoko
On December 8th, 2005 - the 25th anniversary of the assassination of John Lennon - the coverage of the event in one of Canada's national newspapers, the National Post, consisted of a two-foot by 1-foot full page picture of Yoko Ono's display of John Lennon's blood-spattered glasses. I was shocked when I turned the page and came across this cruel visage and wondered why the space hadn't been taken up with pictures and stories of John Lennon. Ideally I'd have liked to have seen a chronological list of the Beatles songs, along with photos of them and the albums. That would have been informative, interesting and would also have provided a trip down memory lane for people who experienced Beatlemania. ~ Jackie Jura
Lennon had no desire to be a leader (because, in his words, "leaders get killed"). Roanoke Times, Dec 8, 2005. "I read the news today, oh boy."
Ono joins Dakota vigil for John (murdered there in her presence). CNN, Dec 8, 2005
Ono, dressed in black and wearing large sunglasses...escorted to the memorial by New York City police...spent several minutes looking at flowers and messages placed at the "Imagine" mosaic that is the centerpiece of "Strawberry Fields," a section of Central Park across the street from her apartment building. "That's the first time I've seen her come" said one man who had visited Strawberry Fields every year since Lennon's death....Friends of Lennon remembered the person, not just the legend. "You couldn't approach John at the end, and looking back it was from the moment he met Yoko Ono," former friend and fellow musician Billy Kinsley told Reuters...)
JOHN'S DAKOTA HOME OF ROSEMARY'S BABY The Dakota Building on Manhattan's Upper West Side was renamed The Bramford for the 1968 film Rosemary's Baby. It was on the set of this film that Mia Farrow received divorce papers from then-husband Frank Sinatra. There is a popular rumor that Church of Satan founder Anton LaVey gave technical advice and portrayed Satan in the impregnation scene. This is false - LaVey had no involvement with the film. Directed by Roman Polanski, whose pregnant wife, the actress Sharon Tate, was in 1969 murdered by Charles Manson and his followers, who titled their death spree "Helter Skelter" after the 1968 song by The Beatles, whose leader, John Lennon, who would one day live (and in 1980 be murdered) in the Manhattan apartment building called The Dakota - where Rosemary's Baby had been filmed...
Doctor held heart in hands. Indystar.com, Dec 9, 2005
He had been called to treat a man with three gunshot wounds to the chest..."When someone said it was John Lennon, I thought it was a bad joke. But then they found his ID in his pocket..."
Doctor remembers Lennon's death (bloody linens & uniforms destroyed; medical record placed in vault). KAIT/K8, Jonesboro, AR, Dec 6, 2005
Yoko's iron grip on Lennon legacy ('doesn't belong to world any more'). BBC, Dec 7, 2005 & Yoko denies musical hi-jack (only original Beatles song is Ballad of John & Yoko). London Times, Aug 16, 2005
Yoko chose mistress for John (later married Paul's producer). London Times, July 24, 2005
In Broadway musical about the life of John Lennon "There is too much Yoko telling John, 'I told you so'. It makes you think Yoko really did break up the Beatles."...
1967 was the year in which Yoko Ono first hit the headlines in Britain with her Film No.4, commonly known as "Bottoms", which was produced by her then husband Anthony Cox. Yoko had asked 364 people associated with the swinging London scene to expose their backsides for the camera. She had, in fact, made an earlier version in 1965 while in New York, featuring a mere dozen bottoms. Yoko had begun making minimalist films in New York as a member of a group of conceptual artists called Fluxus. In 1965 she exhibited the first revision of Film No.4 at the Fluxus film festival, in addition to another five-minute short entitled simply Number One which featured a slow-motion sequence of a match being struck.
Around this same period Yoko was given a part in in a sleazy adults-only S+M drug movie "Satan's Bed" by Roberta and Michael Findlay (SNUFF). Michael was the photographer and editor and Roberta acted and did the lighting. Satan's bed is really an updated version of an earlier unfinished feature called Judas City by "Tamijian" with the new footage and characters edited in. Yoko (in a kimono) shows up in New York to marry Paulie, who wants out of the drug business. She can't speak English and he's preoccupied, so she's taken to a filthy cheap hotel room. A gangster (in the concrete business) rapes her on the floor (off screen). He takes her to his penthouse and rapes her again. Interwoven with this Judas City footage is the sick tale of Snake, Dip and Angel, addicts in black clothes, who look like part of Andy Warhol's Exploding Plastic Inevitable show - they roam around tying up women (Angel helps), and raping them. Finally a Long Island housewife with a gun escapes from the doped up trio and footage of Yoko escaping is intercut. Satan's Bed was released about the same time as the Beatles Help!
WITCHES, WIZARDS & DEMONS and BYE, BYE APPLE PIE
JOHN LENNON'S HOMES (John was introduced to Yoko by John Dunbar on the 9th November 1966 at the Indica Gallery at 6 Mason's Yard off Duke Street...)
Drug-inspired Lennon drawings unearthed. Reuters, Oct 26, 1996
The man who introduced John Lennon to Yoko Ono is reported to have found a collection of drug-fuelled drawings done by the late Beatles star on a "magical mystery tour" to an Irish island he wanted to buy...He said the two had taken the drug LSD. "I had taken it first as early as 1963 whereas John had only recently started so I think he was probably more affected by it," he added.
Biography: Behind the Music. USA Today, May 3, 1999
Julian feels abandoned because his dad left when he was 3. He's also mad at his dad's second wife, who he says is cheating him out of his inheritance. Julian tried his dad's business but felt used by greedy associates. Now, he's trying again...
Julian Speaks Out, December 2000 (20th anniversary of Father's death)
...Once I began to look at his life and really understand him, I began to feel so sorry for him, because once he was a guiding light, a star that shone on all of us, until he was sucked into a black hole and all of his strength consumed. Although he was definitely afraid of fatherhood, the combination of that and his life with Yoko Ono led to the real break down of our relationship. We did not see each other for extended periods of time and as the saying goes, out of sight, out of mind! But the Beatles themselves played no part whatsoever in our demise...
Doctor remembers Lennon's death (bloody linens & uniforms destroyed; medical record placed in vault). KAIT/K8, Jonesboro, AR, Dec 6, 2005
Photo of Lennon's blood-spattered glasses (copies given to close friends and Ono kept one for herself, which was later used on the front cover of her album Seasons of Glass). BBC, Apr 15, 2002
John Lennon shot dead. BBC, Dec 8, 1980
He was rushed in a police car to St Luke's Roosevelt Hospital Center, where he died. His wife, Yoko Ono, who is understood to have witnessed the attack, was with him. Witness reports say at least three shots were fired and others have claimed they heard six. There are also reports Mr Lennon staggered up six steps into the vestibule after he was shot, before collapsing.
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